Lavish Joy, European Concerts
For all the dates of the tour, click here
Residency at Stanford University—The Democracy of Sound
Center for Computer Research in Music and Acoustics with Dr. Nilam Ram and Chris Chafe exploring the democracy of sound.
February, 2026
Residency at Stanford University
Center for Computer Research in Music and Acoustics for 3rd consecutive year with Dr. Nilam Ram and Chris Chafe exploring the intersection of social science data, visualisations, and applied musicality.
March 3-14, 2025
extended spaces – resonant bodies: alvin lucier
singuhr projekte, Berlin
Dear Alvin – for percussion and electronics (UA)
September 12, 2024
Lavish Joy, Goethe-Institut, Tokyo
April 25-27, 2024
Research, live installation and concert/workshop
KLAENG Festival 2024
March 17, 2024
Stadtgarten Köln
Residency at Stanford University
Continuing our research with Dr. Nilam Ram, professor of communication and psychology. Workshops as part of The Change Lab.
January & February 2024
playing the sound sculpture
Maria-Leo Grundschule Berlin
September 28, 2023
Vom dem Geräuschhaften und Schönen, Concert
Loch, Wuppertal
April 5, 2023
Residency at Stanford University
Continuing our research with the brilliant Dr. Nilam Ram, professor of communication and psychology.
December 2022
World Premier of the 9hour 49 minute version of olga neuwirth’s “coroNation IV”, Wien Modern Festival , Postsparkasse Vienna
November 13, 2022
Nuit blanche: Nuit de la percussion, Paris
October 2, 2021
Durbe, Latvia Zemlika Festival
October 17th 2020
Saint Baaf’s Abby, Ghent Belgium
PORGY & BESS, Vienna, Austria
September 12, 2019 20:30 h
GULBENKIAN MUSIC Jazz em Agost, Lisbon, Portugal
August 9, 2019 18:30
TECTONICS – Musik festival, Glasgow
May 4, 2019
unerhört – ein Zürcher Jazzfestival, Rote Fabrik Zürich Switzerland
December 1, 7:30 pm 2018
Naves Matadero, Madrid
November 25, 2018
Festival Rittmarshausen Jazz ohne Gleichen
August 25, 26 2018
CD Release June 15, 2018!
Tracklist:
1 Castings 12 : 12
2 Passage 32 : 33
3 The Gaze 17:06
4 Just Listen 5:59
Excerpt from liner notes by Bert Noglik, March 2018
Much from the environment around us seems woven into these sounds and rhythms. Played with four hands and four feet, as well as two fully committed bodies, drums and percussion turn into a universal instrument with archaic roots and, at the same time, a resonator for the most contemporary vibes. The omnipotence and omnipresence of the rhythm. Heartbeat and pulse, the cycle of Nature, but also the world of processors and the fine crackling of circuits, the hum of data ways, street noise and lounge grooves, halted traffic and the free flight of birds, air vibrating in Manhattan and Berlin-Kreuzberg. By creating a world of its own out of these percussion particles, the music both reflects and intervenes. Immerse yourself in it and wondrous spaces open up in which reality starts merging with fantasy.